1 00:00:00,000 --> 00:00:29,640 Good evening, welcome to a new series of strange but 2 00:00:29,640 --> 00:00:35,800 true in which eyewitnesses tell us of their encounters with the unknown. Tonight the story 3 00:00:35,800 --> 00:00:40,600 of a group of people who experienced something so disturbing that they cut short their holiday 4 00:00:40,600 --> 00:00:45,560 in one of the world's most beautiful cities rather than risk another night there. They were 5 00:00:45,560 --> 00:00:51,560 guests of Lady Bamford who'd spent nearly 20,000 pounds hiring a Venetian palace for two weeks. 6 00:00:52,280 --> 00:00:57,240 Every one of the guests who included film star Joan Collins abandoned their stay 7 00:00:57,240 --> 00:01:02,600 after just two nights. We've pieced together the strange events that ended with them all 8 00:01:02,600 --> 00:01:09,320 fleeing the palace. Can their experience be explained away as collective hysteria or was there 9 00:01:09,320 --> 00:01:24,840 something more? Venice is a living museum to an age of grandeur and privilege. 10 00:01:25,560 --> 00:01:32,440 Today's tourists are attracted by its glorious architecture. It's public facade of faded glories. 11 00:01:33,960 --> 00:01:39,240 But there's a more melancholy sight to Venice too. A city struggling to save itself against the 12 00:01:39,240 --> 00:01:45,320 ravages of time. Perhaps that explains why time past and time present are met here. 13 00:01:45,960 --> 00:01:51,560 Why this is not just a city of gondolas but of ghosts. Well I think it's the most 14 00:01:52,120 --> 00:01:57,160 strange thing that's ever happened to me. It's not the most frightening thing or the most terrible 15 00:01:57,160 --> 00:01:59,880 thing but it's certainly the weirdest thing that's ever happened to me. 16 00:02:05,640 --> 00:02:07,160 For me it was an absolute nightmare. 17 00:02:12,760 --> 00:02:14,360 I'm never going back to that place. 18 00:02:14,600 --> 00:02:15,560 I'm never going back. 19 00:02:19,560 --> 00:02:20,600 Don't take it away from there. 20 00:02:22,840 --> 00:02:24,680 Fantastic. Fantastic. 21 00:02:29,960 --> 00:02:35,480 Once one of Venice's most splendid edifices the Palazzo Albrizi stands in the center of the city. 22 00:02:36,120 --> 00:02:41,160 It was bought by the Albrizi family in the 17th century and is still owned by the family today. 23 00:02:41,320 --> 00:02:46,680 Despite its crumbling appearance it retains a charm of its own. A stylish backdrop for one wealthy 24 00:02:46,680 --> 00:02:53,960 English woman to entertain a group of glamorous friends. Is it what we wanted? It's extraordinary. 25 00:02:54,680 --> 00:02:59,800 It's like stepping back in time. Karen Keeling had worked for Lady Banford for 17 years. 26 00:03:00,520 --> 00:03:07,720 She was a perfectionist and she wanted everything to be perfect. She wanted to create a very 27 00:03:07,800 --> 00:03:15,800 romantic atmosphere as Venice would have been in its heyday sort of 400 years ago. 28 00:03:17,000 --> 00:03:18,280 I'm sure you'll like it. 29 00:03:21,080 --> 00:03:23,320 The guests were due to arrive later that day. 30 00:03:24,760 --> 00:03:29,960 Sean Mullin the family's former chauffeur had also traveled ahead to give Karen a hand organizing 31 00:03:29,960 --> 00:03:36,040 the Palazzo staff and a freelance butler Gastoni Burigama have been employed. This was his first 32 00:03:36,040 --> 00:03:42,040 assignment at the Palazzo. We'd already been out the days before getting caterers ready and 33 00:03:42,040 --> 00:03:48,760 ordering flowers to be delivered that day and organizing this room in the Palazzo so that 34 00:03:48,760 --> 00:03:54,440 people could just come and sit down and have a nice dinner party. It's colder in here than any 35 00:03:54,440 --> 00:03:58,360 other room in the palace don't you think? Oh don't worry it'll soon warm up when everyone's here. 36 00:03:59,400 --> 00:04:05,480 We couldn't have a dinner party without these. We had been out scouring Venice in fact for 37 00:04:05,480 --> 00:04:13,560 these tragedies because Lady Bamford likes them wherever she is. They're golden silver hard chocolate 38 00:04:13,560 --> 00:04:20,520 things. Night fell the guests finally arrived and the holiday was launched with the dinner party. 39 00:04:21,960 --> 00:04:25,960 Post-S Lady Carol Bamford who'd spent months planning the proceedings. 40 00:04:27,240 --> 00:04:33,240 Film star Joan Collins accompanying Joan Collins was Robin Hurlston. 41 00:04:33,480 --> 00:04:41,000 When we walked in Robin and I first of all it was it was September so it was very very hot 42 00:04:41,640 --> 00:04:48,920 in Venice but as soon as we walked in it was like 15 or 20 degrees colder and dark and gloomy 43 00:04:48,920 --> 00:04:56,760 with all kinds of artifacts on the walls kind of old machetes and knives and strange things. 44 00:04:57,960 --> 00:05:02,760 Alice Bamford the hostess's daughter was there with her friend Caroline Wellesley. 45 00:05:04,040 --> 00:05:08,200 And Hugo Guinness whose birthday they were celebrating. We think that all the planning 46 00:05:08,200 --> 00:05:12,360 and preparation had been a success because everybody seemed to control themselves at this dinner 47 00:05:12,360 --> 00:05:19,560 party and the champagne flowed. People were happy. Everyone to a week in Venice. Oh to Venice. 48 00:05:20,680 --> 00:05:28,280 And of course to Hugo happy birthday. Happy birthday. Thank you. Oh boys. But already there was a hint 49 00:05:28,360 --> 00:05:34,760 of things to come. This night air certainly brings the temperature down doesn't it. During dinner 50 00:05:34,760 --> 00:05:41,960 I felt this freezing cold draft on my ankles but I mean really like somebody was blowing 51 00:05:41,960 --> 00:05:48,600 on my the bottom part of my legs. We left that evening and everyone seemed very happy. It wasn't 52 00:05:48,600 --> 00:05:55,160 until the next morning when things started to go wrong. Morning. Morning Robin. I've had an awful 53 00:05:55,160 --> 00:06:00,920 night. Just couldn't sleep. That's probably the rich food you had. I don't know what it was. You're 54 00:06:00,920 --> 00:06:07,080 not the only one. The girls have been complaining too. They say they felt a bit spooked. Come on let's go and eat. 55 00:06:08,280 --> 00:06:17,880 We'd all had dreams very strange dreams very troubled haunted dreams I suppose. I'm usually 56 00:06:17,880 --> 00:06:24,360 sleep like a log and I did not sleep well at all that night. Down in the kitchen Gastoni the 57 00:06:24,360 --> 00:06:28,280 temporary butler was with the cook who'd worked at the palazzo for many years. 58 00:06:42,840 --> 00:06:49,480 I remember walking into the room the very room that we'd thrown this dinner party in 59 00:06:50,440 --> 00:06:57,640 as I enter the double doors I just stopped dead in my tracks. I couldn't quite believe my eyes. 60 00:06:59,720 --> 00:07:03,400 This lady was walking towards me a gray outline. 61 00:07:06,440 --> 00:07:11,880 She took three or four places at which point she turned at right angles and disappeared through 62 00:07:11,880 --> 00:07:17,240 the wall. I don't believe in ghosts I'd never seen a ghost done because I could see through 63 00:07:17,400 --> 00:07:21,240 this woman's body and clothing. I assume that's what I was looking at. 64 00:07:23,320 --> 00:07:28,520 You'll never believe what's just happened. Are you okay? I think I've just seen a ghost. 65 00:07:30,200 --> 00:07:35,160 You're joking. I couldn't believe it. I didn't believe you I thought you was making it up 66 00:07:35,160 --> 00:07:39,480 and but he wasn't. It's not the kind of person to make stories like that. 67 00:07:40,040 --> 00:07:40,600 I don't. 68 00:07:47,480 --> 00:07:50,680 She said a huge black moth has just flown in through the kitchen window 69 00:07:51,240 --> 00:07:57,320 and she said and every time someone sees a ghost the moth has seen. Now at this time in Venice it 70 00:07:57,320 --> 00:08:05,480 wasn't the season for moths. The cook then went on to tell us a story of the house which happened 71 00:08:05,480 --> 00:08:11,880 apparently 400 years ago. It was the story of the woman in the dining room portrait. 72 00:08:13,560 --> 00:08:17,160 The husband couldn't have any children so his wife took a lover 73 00:08:18,040 --> 00:08:22,200 and they were found together in the dining room which would then have been a bedroom 74 00:08:24,920 --> 00:08:26,840 and he chopped off her head. 75 00:08:29,240 --> 00:08:33,960 And in his rage decapitated her with his sword and that's the story the cook told us. 76 00:08:34,760 --> 00:08:40,840 Well, it's on your story. I don't think we should be too concerned. It's a nasty one but not one to 77 00:08:40,840 --> 00:08:45,560 give us nightmares. Sean must be overworking. Come on let's go. I can't wait to see the doggies palace. 78 00:08:46,440 --> 00:08:51,240 The guests spent the rest of the day taking in the sights of the city trying to forget the Palazzo 79 00:08:51,240 --> 00:08:58,840 in its gruesome tale for a few hours. Karen and Sean also went out to stock up on supplies 80 00:08:58,840 --> 00:09:03,240 returning to the Albreitzi later that afternoon. Come on up look at this. 81 00:09:03,960 --> 00:09:08,120 Castoni led them into the dining room. The scene of the previous night's dinner party 82 00:09:08,120 --> 00:09:14,040 where a strange sight awaited them. It's probably one of the girls having a joke. 83 00:09:14,040 --> 00:09:18,120 No one has been in here all day. I am the only one who has been here. I know. 84 00:09:19,720 --> 00:09:26,200 There was no way this was an accident. The dry cheese on the floor was six foot from the bowl. 85 00:09:27,400 --> 00:09:32,440 That had put them in and there was still some left in the bowl and the bowl hadn't been tipped on the 86 00:09:33,000 --> 00:09:40,840 floor. I began to think about it. Not that there was a ghost but what had really happened. 87 00:09:42,360 --> 00:09:46,360 The guests et out that night at the famous Harry's Bar in the center of the city. 88 00:09:47,560 --> 00:09:54,840 Well when we left Harry's Bar the bill was rather extraordinarily high because we'd had truffles, 89 00:09:54,840 --> 00:09:58,760 white truffles which are very expensive so there was a lot of laughing about that. 90 00:09:58,840 --> 00:10:07,640 And we took the water taxi across the canal and as we grew closer and closer to the piazza 91 00:10:09,080 --> 00:10:19,400 we became more and more subdued. We were feeling more and more sort of quieter and thinking what 92 00:10:19,400 --> 00:10:26,120 does tonight hold for us. To make matters worse Venice experienced one of its biggest 93 00:10:26,200 --> 00:10:30,760 thunderstorms for several years. We had to go running around closing all the windows. 94 00:10:32,040 --> 00:10:36,840 The net curns were blowing into the rooms. Water was running down the inside of the walls. 95 00:10:37,880 --> 00:10:42,040 We had to switch all the lights off because they were flickering. So really the whole house 96 00:10:42,040 --> 00:10:49,000 was plunged into semi-darkness. Everyone was still talking about the ghost and was it safe for them 97 00:10:49,000 --> 00:10:55,880 to stay that evening at the platso. Sean you do think we'll be all right here on our own? Of course 98 00:10:55,880 --> 00:11:01,880 this place is perfectly safe. We'll be fine. Karen and Sean were staying at a nearby hotel. 99 00:11:01,880 --> 00:11:07,080 None of the staff stayed at the platso after dark. Look at that! 100 00:11:17,080 --> 00:11:21,720 It's a trick of the light. That's probably what you saw this morning when you saw that ghost. 101 00:11:21,720 --> 00:11:26,520 The shadows in here are playing tricks with your eyes. Maybe. Go and get the others. We'll show 102 00:11:26,520 --> 00:11:30,920 them this and stop them worrying about everything. Okay. It was quite obvious that it was a trick of 103 00:11:30,920 --> 00:11:36,840 the light because as you walked towards the image it disappeared, faded into the wall. I did this 104 00:11:36,840 --> 00:11:40,920 several times just to check. Look at this! 105 00:11:44,040 --> 00:11:49,080 You see? It disappears as you get closer to it. Well I don't like it and I'm not going up to my 106 00:11:49,080 --> 00:11:52,120 bedroom without a torch. Well don't worry we'll get you one. 107 00:11:59,400 --> 00:12:05,720 I looked up at the painting of the Contessa and for some strange reason I felt very sad. A lot of grief. 108 00:12:08,840 --> 00:12:11,720 And water started streaming out of my eyes down my face. 109 00:12:13,320 --> 00:12:15,320 Sean? 110 00:12:16,760 --> 00:12:18,760 Sean? 111 00:12:20,040 --> 00:12:24,040 Sean, let's get out of here. Come on. 112 00:12:24,040 --> 00:12:32,600 They were standing in the doorway and they both looked very shaken, very white and Sean had tears rolling down his face. 113 00:12:32,600 --> 00:12:35,480 I don't believe it! What now? 114 00:12:35,480 --> 00:12:37,880 I'll go and have a look. This place is beginning to fray my nerves. 115 00:12:37,880 --> 00:12:39,320 I'll come with you. 116 00:12:39,320 --> 00:12:44,280 All I wanted to do was to clear the matter up, sort it out so the guests could be happy. 117 00:12:45,080 --> 00:12:50,840 We were thrilled at being invited to Venice and we were looking forward to 10 days looking after these people. 118 00:12:51,640 --> 00:12:54,360 And the last thing I wanted was for anything to go wrong. 119 00:12:55,080 --> 00:12:59,160 We came into the room, Robin stood there and I was just here when... 120 00:13:14,280 --> 00:13:24,280 Two men, one mission. 121 00:13:32,760 --> 00:13:37,320 For Sean, Karen and the guests the holiday was turning into a nightmare. 122 00:13:37,320 --> 00:13:40,840 They felt they were encountering something beyond any rational explanation. 123 00:13:40,840 --> 00:13:42,840 Oh Sean, what's the matter? 124 00:13:42,840 --> 00:13:45,960 I felt as if someone was trying to push me into the ground. 125 00:13:45,960 --> 00:13:49,960 There was a tremendous pressure on my back. I've never felt anything like it before. 126 00:13:50,920 --> 00:13:57,800 It felt like I had this ton weight and I was doubling up with pain because it was really hurting. 127 00:13:58,680 --> 00:14:01,000 I was in quite some agony. 128 00:14:02,280 --> 00:14:05,800 Sean was the one that went around scoffing. I don't believe in ghosts. I don't believe in ghosts. 129 00:14:05,800 --> 00:14:10,520 Absolutely ridiculous. So stupid. Nobody a hope. How can any of you think about it? 130 00:14:11,080 --> 00:14:16,840 So he, because he seemed to be the one that was the most vehement in his disbelief, 131 00:14:17,400 --> 00:14:20,200 he was the one that seemed to be the most affected. 132 00:14:22,200 --> 00:14:23,480 This is extraordinary. 133 00:14:25,880 --> 00:14:26,920 There's nothing here. 134 00:14:28,120 --> 00:14:30,680 But when I got to this spot it was like crossing a line 135 00:14:31,640 --> 00:14:34,120 and I felt as if I was walking into a fridge. 136 00:14:35,000 --> 00:14:36,840 Karen, Karen, what's going on? 137 00:14:36,920 --> 00:14:42,760 I found myself looking at the painting on the wall. In particular her eyes seemed to look straight through me. 138 00:14:45,080 --> 00:14:50,760 I just felt very cut off and very distant as if hypnotized almost into a different world. 139 00:14:51,720 --> 00:14:53,480 For God's sake Karen get away from there! 140 00:14:55,720 --> 00:14:59,240 There's something there. I don't know what it is but there's definitely something there. 141 00:14:59,240 --> 00:15:01,240 Not enough. I'm going to get to the bottom of this. 142 00:15:01,240 --> 00:15:03,000 Oh please stop now! Please! 143 00:15:03,000 --> 00:15:04,440 Karen's right. Stay away. 144 00:15:07,240 --> 00:15:10,680 This time the pressure was three or four times as heavy. 145 00:15:10,680 --> 00:15:16,120 My shoulders were being squeezed together so hard that it felt like my blood was bubbling and boiling. 146 00:15:17,640 --> 00:15:20,360 I really think that Karen thought I was having some sort of heart attack. 147 00:15:21,960 --> 00:15:25,720 What's going on in here? Oh my god! 148 00:15:25,720 --> 00:15:33,720 Now this is a, you know, a very sort of stalwart man in his forties who looks like 149 00:15:33,800 --> 00:15:38,760 he could certainly say boo to a goose who has become a sort of gibbering wreck. 150 00:15:39,640 --> 00:15:41,960 That's it. That's enough. We're getting out of here. 151 00:15:42,680 --> 00:15:45,720 Alison Caroline you go to your room together and get your things. 152 00:15:46,520 --> 00:15:47,880 Hugo and Robin you do the same. 153 00:15:48,520 --> 00:15:51,080 Where are we going to go? It's one o'clock in the morning. 154 00:15:51,080 --> 00:15:54,440 Well think about that later. The priority is to get out of here. 155 00:15:54,440 --> 00:15:56,120 Come on, shall we? Let's get you outside. 156 00:15:56,120 --> 00:15:56,840 Oh all right. 157 00:15:56,840 --> 00:15:57,400 Come on let's get him. 158 00:15:58,360 --> 00:15:59,000 Get him outside. 159 00:15:59,000 --> 00:16:00,360 Doctor did you feel it? 160 00:16:00,360 --> 00:16:02,200 I felt something strange in here earlier. 161 00:16:02,200 --> 00:16:02,920 I'm sorry. 162 00:16:04,520 --> 00:16:11,480 When Lady Bamford had made the decision to leave I was relieved and I couldn't wait to get out of the platter. 163 00:16:15,320 --> 00:16:19,960 By this time the two teenage girls were very very frightened and they were shaking. 164 00:16:21,320 --> 00:16:31,240 And so I was also frightened but I remember my parents and grown-ups during the Blitz 165 00:16:31,960 --> 00:16:37,240 um making me as a little tiny girl less frightened by singing. 166 00:16:38,200 --> 00:16:41,800 So I thought I'll sing. I'm a performer. I can sing. 167 00:16:42,680 --> 00:16:43,960 Who would believe this? 168 00:16:43,960 --> 00:16:46,840 We've been forced out of this beautiful palace in the middle of the night. 169 00:16:47,400 --> 00:16:49,400 Well thank goodness we're all in one piece. 170 00:16:51,960 --> 00:16:58,680 I see trees of green, red roses too. 171 00:16:58,760 --> 00:17:05,400 Joan was brilliant really and she was keeping everyone in a good mood and she even started 172 00:17:05,400 --> 00:17:09,720 singing songs to take her minds off what had just happened. 173 00:17:10,280 --> 00:17:19,240 And I think to myself what a wonderful world. 174 00:17:19,880 --> 00:17:23,000 And we'll find this quite amusing at sort of two o'clock in the morning. 175 00:17:23,960 --> 00:17:28,680 But if it wasn't for Joan I think it would have really been a sort of a state of panic. 176 00:17:30,040 --> 00:17:32,200 Hugo and Robin had yet to join the group. 177 00:17:34,280 --> 00:17:34,920 Did you hear that? 178 00:17:47,240 --> 00:17:48,040 Let's get out of here. 179 00:17:53,800 --> 00:17:57,160 Knives only quiver right after they've been thrown. 180 00:17:57,160 --> 00:17:59,880 You know you cannot get a knifed quiver other than that. 181 00:18:00,520 --> 00:18:04,760 And um they were quite stunned. 182 00:18:11,000 --> 00:18:11,720 Are you all right? 183 00:18:11,720 --> 00:18:13,800 Oh never mind I'll tell you about it later let's just go. 184 00:18:16,920 --> 00:18:20,360 The Venetian holiday was over after just two nights. 185 00:18:23,240 --> 00:18:34,360 The next morning Gastoni knowing nothing of the previous night's events arrived to start work. 186 00:18:36,360 --> 00:18:38,760 I wouldn't bother with that Gastoni there's no one here. 187 00:18:38,760 --> 00:18:39,800 I don't understand. 188 00:18:41,320 --> 00:18:43,640 We were driven out of here last night. 189 00:18:43,640 --> 00:18:47,320 Well something ghosts whatever frightened us half to death. 190 00:18:47,320 --> 00:18:52,120 The next morning I had to go back to the plight so to pack the suitcases for the guests. 191 00:18:52,200 --> 00:18:54,120 Because the night before we'd left in Sottari. 192 00:18:58,280 --> 00:19:02,760 More incredible still were the secrets that the cook told Karen and Gastoni. 193 00:19:02,760 --> 00:19:07,000 It was apparently not the first time that guests have been driven from the palazzo by fear. 194 00:19:09,800 --> 00:19:16,120 That day the cook told us a story about a gentleman who was staying at Palazzo 10 years ago. 195 00:19:22,840 --> 00:19:28,600 He'd woken up in the middle of the night three o'clock in the morning praying in front of the picture. 196 00:19:29,160 --> 00:19:34,600 It was so frightened and so shocked by this experience that the next day packed Paul his luggage 197 00:19:36,200 --> 00:19:37,320 and left straight away. 198 00:19:41,000 --> 00:19:43,080 She then made an extraordinary request. 199 00:19:45,400 --> 00:19:49,480 The cook then suggested to me that all the guests should come back 200 00:19:50,200 --> 00:19:52,200 and say sorry to the painting. 201 00:19:54,200 --> 00:19:57,800 The atmosphere was very still and very quiet. 202 00:20:00,200 --> 00:20:03,000 And one by one everyone walked up to the painting. 203 00:20:05,640 --> 00:20:07,320 It was almost like taking communion church. 204 00:20:10,040 --> 00:20:16,920 I'm an actor so I'm very superstitious so I went and I said uh I'm sorry to the painter, 205 00:20:17,000 --> 00:20:21,560 to the painting, to the woman. I'm sorry Contessa whatever it was that we did to offend you. 206 00:20:21,560 --> 00:20:27,400 Apparently what we did to offend her was that we we ate in her dining room which is her domain 207 00:20:27,400 --> 00:20:28,600 and nobody ever goes in there. 208 00:20:36,440 --> 00:20:41,960 In my long career 45 years working in hotels and restaurants with all the greatest green 209 00:20:42,040 --> 00:20:49,800 personalities I have to say I have never had to say sorry to a ghost as if it were some kind of pilgrimage before. 210 00:20:54,040 --> 00:20:56,840 If I wrote this in a novel do you think anyone would believe me? 211 00:20:56,840 --> 00:20:57,960 Not in a million years. 212 00:21:00,680 --> 00:21:06,120 There were too many different things that had been happening in the uh almost 48 hours that we'd been there 213 00:21:06,680 --> 00:21:10,440 to say uh oh well this is just our imagination. 214 00:21:12,920 --> 00:21:16,840 Inspired by her Venetian adventure Joan Collins began writing a book. 215 00:21:17,480 --> 00:21:19,480 Part of the story is said in Venice. 216 00:21:21,240 --> 00:21:25,720 In a small cobbled piazza where the trees grew even taller than the narrow houses 217 00:21:26,360 --> 00:21:29,000 stood the decaying Palazzo Adbrizzi. 218 00:21:32,680 --> 00:21:37,080 She'd heard the rumors that the Palazzo was haunted by a beautiful Contessa 219 00:21:37,800 --> 00:21:45,320 decapitated by her husband in a fit of jealous rage 400 years earlier. 220 00:21:48,360 --> 00:21:52,440 It was an experience that um has certainly stayed with me. 221 00:21:52,440 --> 00:21:56,520 It's not something that has um a blurred with time. 222 00:21:58,920 --> 00:22:01,240 I wouldn't go back to the Palazzo again. 223 00:22:01,880 --> 00:22:03,080 No definitely not. 224 00:22:07,160 --> 00:22:10,680 The experience left an imprint on the lives of everyone on the trip. 225 00:22:10,680 --> 00:22:14,440 For Joan Collins it proved to be the source of inspiration for her work. 226 00:22:14,440 --> 00:22:20,520 Karen and Sean however were so seriously affected by what happened that they turned to the church for help. 227 00:22:20,520 --> 00:22:26,680 It was only after they received a blessing from their vicar that they say the nightmare has receded. 228 00:22:26,680 --> 00:22:28,680 Good night. 229 00:22:37,080 --> 00:23:02,140 Biblog